pp. vi; 260; xxvi. Numerous illustrations, including many full-page, on heavy stock with tissue guards. Full blue leather with gilt tooling worn at edges and corners; the spine with gilt titles and tooling and with five raised bands. Marbled endpapers and page edges. The book is filled not only with art commentary but it weaves, also, history and other notes. Some contents: Wiliam Hunt; Johannes Vermmer of Delft; The Present State of the Fine Arts in France; The Masters of Wood Engraving; The Lago di Garda; The Company of St. Luke, Florence; St. Ignatius Loyola and the Early Jesuits; Cleanin... View More...
224 pages; 137 illustrations. Bacon's artistic reaction to living with the rise of Fascism, Hitler, World War II, polarisation following the end of the war. Bacon's use of Fascist photography as base for his art. Clean throughout; tight binding. View More...
270 pages; 230 illustrations, color and b&w. Second in a series of four books about art and its interpretation from the mid-nineteenth century to the end of the twentieth. Clean throughout; tight binding. View More...
170 pages; numerous b&w illustrations. "In pictures and text Jim Haskins tells the story: the gangsters who owned it; the celebrities who packed its tables; the performers; the famous acts; the music." Social history, prohibition, the Depression, war. Clean throughout; tight binding. View More...
64 pages; 49 b&w illustrations. Illustrations are gathered at the back of the book; earlier are offered comprehensive essays on each. Schools of Italian, French, Dutch, Danish and German are included. Clean and tight within; covers and spine with light wear. View More...
176 pages; 200 illustrations, 100 color; endpaper maps; charts; glossary. The author was Lecturer in the History of Art at Courtauld Institute of Art. From the series, Landmarks of the World's Art. View More...
502 pages; numerous illustrations, color and b&w. Like abstract but want to understand what they see in a Bierstadt landscape? Why do they line-up at The Metropolitan like that? View More...
192 pages; numerous color and b&w illustrations. Well done, enjoyably readable primer on the subject; one of the series Time-Life Library of Art in a paperboard slipcase with applied color illustration: book and slipcase "as new". An interesting chapter tells the story of the Vermeer forger, Han van Meegeren, who operated in the 1940s. View More...
310 pages; numerous color illustrations, many full page. Evolution though the century. Notes; Chronology; Bibliography. Clean throughout; tight binding. More than 5-pounds; must ship Priority Mail. View More...
304 pages; numerous b&w illustrations. A month-by-month report of the art events of 1947. Includes reviews, criticism, opinion, exhibitions in venues around the world. French text. Clean throughout. A light vertical crease on the first 12 pages, including front endpaper and title page. Dustjacket chipped at the spine and edges are worn. View More...
160 pages plus maps at rear; 122 color illustrations. The MMA's presentation of their collection of late 18-century and early 19th-century European art as represented by the "finest objects in this curatorial department"; the seventh in a series of twelve volumes describing the MMA's collections. Rich red cloth with gilt titles. View More...
331 pages; numerous color illustrations. 12 essays.Nudes and lovemaking in art described in twelve essays by as many authors. More than 200 pages of color illustrations. Ex-Museum of Modern Art Library: only markings are 2 small labels and a rubber stamo in the margin of a preliminary page. Italian text. View More...
288 pages followed by advertisements. A classic. Still in print. Frontispiece portrait of Moore by Manet. Pages clean and crisp; previous owner's name on the front endpaper (1904). Boards in nice condition, modestly worn at corners; head and tail of spine show neat repair. View More...
196 pages; numerous color and b&w illustrations. Well done, enjoyably readable primer on the subject; one of the series Time-Life Library of Art in a paperboard slipcase with applied color illustration: book and slipcase "as new". View More...
171 pages; numerous color illustrations. Preface by René Huyghe of the French Academy; text by five scholars familiar with the works; each of the great Louvre collections (Ancient Egypt, Persia, Christian Egypt, France, Italy, Flanders, etc.) is covered; history of the building and the collections; bibliography; index of illustrations. Clean and tight, nearly fine. View More...